If Ch A EQ is set ON, Ch B can be set to the same settings by choosing A=B. Press the Edit button to enter the EQ parameters. The high frequency band can be set to a High Frequency shelf or to a parametric (PEQ) band. The mid band is a parametric equalizer (PEQ) with Frequency, Q, and Gain adjustments. The Low frequency adjustment can be set to a Low Frequency Shelf or to a parametric equalizer (PEQ) with Frequency, Q, and Gain adjustments. This allows you to match the difference of output level of the speakers in a system without needing to constantly adjust the front panel level controls.ĮQ - In Manual mode there are three EQ filters per channel. Gain Offset (Manual mode) - This adjustment allows you to set an overall balance between the outputs of the amplifier. This allows you to easily set the crossover frequency for your speaker con figuration. X-Over (speaker preset) - When using a speaker preset, the filters are already configured for a crossover. HPF Slope - Rotate the EDIT knob to adjust the filter type and slope roll off in dB per octave. HPF Freq - Rotate the EDIT knob to adjust the high pass filter frequency. LPF Slope - Rotate the EDIT knob to adjust the filter type and slope roll off in dB per octave. LPF Freq - Rotate the EDIT knob to adjust the low pass filter frequency. If the Ch A filter is On, then the Ch B filter can be set to the same settings by choosing A=B Parallel A link: Ch A input is sent to both Ch A and Ch B outputs, CH A level control adjusts the output level for both channels.įilter (Manual mode) - The filter section allows you to build you own crossover or add speaker protection by stetting the filters to remove the upper and lower limits of the audio bandwidth.įilter Ch A - Press the Edit button to enter the filter parameters for channel A.įilter Ch B - Press the Edit button to enter the filter parameters for channel B. Parallel A dual: Ch A input is sent to both Ch A and Ch B outputs, each level control adjust the corresponding output level Mono A+B link: Ch A and Ch B inputs are mixed together, Ch A level control adjusts both Ch A and Ch B output levels Mono A+B dual: Ch A and Ch B inputs are mixed together, each level control adjusts the corresponding output level Stereo: Ch A Input -> Ch A Output & Ch B Input -> Ch B Output I/O - The I/O screen adjusts the settings for how the inputs will be routed through the DSP to the output connectors. Preset - Choose either Manual Mode, which provides access to the full set of adjustable parameters, or from the four speaker presets: 2 full range, Mono 2-way, Sub/Sat, or 2 subs.
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Yamcha_Extreme_Butoden_V3 (Mr.4x3l, benbj) : there's not enough Sprites for this character and I'm trying to fix it up the best I can:oldgamer::boxing: Goku (CobraG6) : :jugador::sonrisa::pulgar arriba::pulgar arriba:: kfm: (32.76 MB) Guess is the closest we got to a cool non 8-bit Insect Cell.īut be aware that it's still a pretty basic char. Imperfect Cell edited (Mr.4x3l) : Edit of Imperfect Cell to make him a bit.Less bad. Raditz (Cobra G6) : I found this raditz on a youtube channel made by Cobra G6 and honestly he is worth using other than the raditzes that I founded here, the AI is strong and fair and can put up with Tienshinhan z2. (40.05 MB) But if you guys like to customize it for the Mugen this version of Goku is strong. . I don't know how to add any special moves and such. Goku SSL (boryema) : Hi guys, this template design is Goku as a Super Saiyan Light. Son Gohan (元ON4RD0) : Los créditos están en el archivo de texto del char :very_good: (4.63 MB)ĭabura (元ON4RD0) : Disfruten De este char :sonrisa: (1.98 MB) I have edited the Config.cns to turn on the AI mode. (65.36 MB)Īrmy of vegetas tt'buu old edit (13.96 MB) (39.86 MB)īILLS (Sheld/Okachanman) : Bills/beerus by SHELD with okachanman's AI patch. This is my recent Project of Late 2020 or Early 2021. Video atch?v=n6NS9maRN98&t= 1s (18.34 MB)Īndroid 18 (n00b12) : What's been going on back then, M.U.G.E.N friends of mine? So It's been a while that I have released a character.Īnyways. MUI MANGA GOKU EB (BloodBathAnime and.) : This is Goku Mastered Ultra Instinct from the Dragon ball Super Manga Version Trunks ai patch (shinlucho, saram.) : genassociation (2.95 MB) (83.73 MB)Īndroide 18 ( latino por ASF) (G.knux19) : chars androide 18 audio latino por ASF (13.80 MB) Apparently just his jump is an attack that auto aims and do damage. SSJ4 Broly KN Edit Controllable (KN*RS) : As the name states, SSJ4 Broly edited by KN*RS can now be control. Palno 6 only base, palno 7 ssj only, palno 8 ssj2 only, palno 9 ssjg only, palno. . Vegeta Super Transform 1.9 HS (LegendTTA+Nitroman30) : hypersonic buffĬhanged how the ai transforma since it was annoying Vegeta Super Transform revamp (LegendTTA +.) : use Vegeta Super Transform 1.9.defĪll supers have damage now increase when transforms Vegeta Super f for codes and all new moves Vegeta Super Transform revamp fix (LegendTTA +.) : hold y TTA'Goku SSBK edit (TTA + coldskin1) : new auto combos GOKU-HELL (Goku KoF XIII) (Hell) : Updated. SSJ4Vegeta_KN.Edit (KN*RS Ryon.) : SSJ4Vegeta_KN.Edit version 1.0.Īuthors = "KN*RS" Ryon, Kenjiro44 (sprites custom) and sprites creator. (46.87 MB) Overpowered + toned down in one pack! Toned down version updated! Raditz (Misterr07) : Exelent Char of Raditz, incluyed help Z, Turles, Saibaman and Ozaru, recomended char. (20.30 MB)īroly (BoyBoyz) : There are two. Son Goku (Wolf_Stak,/(BloodLif.) : atch?v=-59kUeOSF3gĪlt ernate Link: !P8pHXL pR!gbcw8UhGP6m6XiUAAHuUjw !e4oRWCha Son Goku (Space Survival Version) ver2.0 released Son Goku (Universe Survival) 2.0 (280gou) : atch?v=cWLxduEehLY&t When you do a new song, the audience has to work very hard. And now, I've got - like, 25 number one records. I've had a minimum or four or five major hits to do. But I've been lucky since The First Edition. ROGERS: If I were going out, doing all new music and - like some of these young guys do where they go out, and they have one hit - that would scare me. INSKEEP: Would you just talk me through what going on stage is like for you, these days? Do you still, for example, get nervous before you go out there? INSKEEP: Another hit of that era, "Just Dropped In To See What Condition My Condition was In," was memorable enough that decades later, it resurfaced in the 1998 Coen Brothers movie "The Big Lebowski." INSKEEP: He released it in 1969, with the rock band The First Edition. INSKEEP: This familiar song suggests just how long some Kenny Rogers music has remained popular heard on the radio for years. (SOUNDBITE OF SONG, "RUBY, DON'T TAKE YOUR LOVE TO TOWN") How do you get - that's the greatest ammunition you can have, when you go out on stage to have songs like "The Gambler," "Lucille" - you know, "Ruby, Don't Take Your Love to Town." INSKEEP: Do you ever get tired of that song? ROGERS: I'm going to take credit for it, whether it was or not. INSKEEP: So that was your innovation, you think, the. And I don't think it does that, on his record. And from there, the rest of the song plays out. ROGERS: Well, you know, for me, I've always felt great songs put you in a spot, put you in a place "on a warm summer's evening, on a train bound for nowhere" - you know where you are. INSKEEP: In Johnny Cash's telling, it's like this archaic tune by an old, old man. INSKEEP: So just listening to those lines, Kenny Rogers, he doesn't say, "on a warm summer's evening" he says, "about 20 years ago." He doesn't say "he began to speak" he says, "he commenced to speak." Do you mind if we listen together, to the beginning? INSKEEP: In preparing for this conversation, I was just listening - for the first time - to the Johnny Cash version of this song and realized that he sings it differently, and even some of the words are a little different. And coincidentally, I think it was produced on - Johnny Cash, the same day by Larry Butler. I think Larry Butler, who was producing me at the time, found the song. INSKEEP: How did that song come to your attention? INSKEEP: I want to ask about "The Gambler." If someone sits me down and says hey, let's write a song about this, I can contribute and I can carry my weight. ROGERS: I write from time to time but - you know, I think great writers have a need to write, and I don't really have that need. INSKEEP: Now, you have not written most of your own songs. And that's, really, what I love to do songs that - you love them before you realize what they're about, but you get the message vicariously, once you learn to like the song. "Ruby, Don't Take Your Love to Town" was about a guy who came home from war. ROGERS: You know, "The Coward of the County" was about a rape. If you look at - "Reuben James" was about a black man who raised a white child. And one is ballads that say what every man would like to say, and every woman would like to hear and the other thing - are story-songs that have social significance. ROGERS: All the songs I do record, they fall into one of two categories, as a rule. And he talked with us about trying to make a song endure. INSKEEP: At age 74, Kenny Rogers has written a memoir, called "Luck or Something Like It." He traces his life from his youth in public housing in Houston, in the 1940s through times as a jazz musician and folk singer, before he became a solo star. Here's a question for Kenny Rogers: What makes a song last? His tunes are the kind you recognize even if you haven't heard them in years. KENNY ROGERS: Everyone considered him the coward of the county. (SOUNDBITE OF SONG, "COWARD OF THE COUNTY")
Warner Home Video brings Bradley Cooper's A Star Is Born (2018) to Ultra HD Blu-ray as a two-disc combo pack with a flyer for a Digital Copy. But they are nonetheless enchanting and magical each time, and this fourth remake of a familiar event is just as charming and spellbinding. Such events happen often and are fairly common. Jay Cassidy's stirringly rhythmic editing sweeps us into this romance with a pulsing tempo that crescendos into a powerfully agonizing climax, and Matthew Libatique's cinematography saturates stage performances with brash, dazzling primaries while intimate sequences are awash in warm, tender yellows.Īs the title suggests, Cooper's A Star Is Born erupts on the screen in the first few minutes like witnessing the birth of a celestial body, astonishing and mesmerizing us with a near-supernatural splendor, while also beholding the collapse of a nearby red giant. Like Ally, Cooper's first foray as director and Lady Gaga inaugurated as a lead are assisted by talented backup performers. It makes later moments and conversations all the more touching because despite their paths on two opposing trajectories - one on the rise, the other fading - they manage to find each other. However, Cooper, as their duet performance implies, embraces it with open arms and sells the fairy tale wholeheartedly - unabashed and unapologetic - about a pair who essentially discover one another when they need it most. Granted, this all sounds like schmaltzy, sentimental mush expected of a major Hollywood production. When Ally finally takes to the stage to sing her original song, it becomes a harrowingly transformative moment where the lyrics speak to the theme of taking a risky leap in all life's endeavors. However, Jackson and we see a potential she's yet to discover in herself, and it's poignant her song of choice is by one of the greatest singers of all time, someone who also never fit in society's traditional standard of beauty but had something to say and sang deep from the heart. The same woman who just boldly performed to a crowded room with the poise of a superstar is more comfortable singing in the skin of other artists, more relaxed pretending to be someone other than herself. Ironically - or perhaps, intentional on the part of Cooper - Ally's lounge-like rendition of Piaf's best-known song along with the ensuing meet-cute night talking to Jackson are terrifically telling of broader, more profound conceits that further draws viewers into an otherwise familiar and conventional narrative. This moment is as equally important and moving to this established rock star as it is to us, and it's in these few minutes that Cooper wins us over, believing Ally has that special something. Just prior to this, Jackson finished a stadium concert with thousands of adoring fans and ear-piercing music, but running to his car to enjoy the silence alone in darkness. Thankfully, he wastes no time in doing this with an unexpectedly stirring performance inside a drag bar where the would-be starlet does her own version of Édith Piaf's "La Vie en rose." Like Jackson, we're suddenly enthralled and moved by Ally, taken aback by an exquisite voice that even non-fans like myself will find captivating, charmed by her gracefully confident and self-assured dance through the room. In all honesty, Cooper has quite the challenge in making his audience develop the same level of passion and admiration as Jackson does for struggling, aspiring nightclub singer Ally (Lady Gaga in her first leading role). The story maintains focus on the folktale-like journey of two lonely people on contrary paths of their careers brought together by their passion for music and each other. Although the production only credits the '54 musical with Judy Garland and the '76 drama with Barbra Streisand, this latest adaptation clearly takes inspiration from each of its three predecessors - insecurities about the female protagonist's nose from George Cukor's film or Cooper looking like a modernized version of Kris Kristofferson - while still adding a few new surprises. Wellman's 1937 classic, in which Cooper also stars as famous country musician battling substance abuse Jackson Maine. Making his directorial debut, Bradley Cooper demonstrates this in A Star Is Born, the fourth remake of William A. Like the great masterpieces of literature, some stories are simply eternal and timeless, perfectly capturing the human condition in relatable themes for future generations to enjoy with fresh, contemporary eyes. Nectar 3 also offers the power of Celemony’s industry-standard pitch correction, along with RX’s world-class breath removal. 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